Sharks are drawn to the tethered marlin, and, although Santiago manages to kill a few, the sharks eat the fish, leaving behind only its skeleton. Instead, he emerges as a hero. When Santiago is fighting off the sharks at night, he loses his spear to them, so he fights off the next shark with his club. Pride While important, Hemingway's treatment of pride in the novella is ambivalent. Worthiness Being heroic and manly are not merely qualities of character which one possesses or does not. Hemingway seems to suggest that victory is not a prerequisite for honor.
He dismissed the idea that he had committed a sin in killing the marlin whom he loved for its bravery. Santiago felt bad that he killed the fish, because he was the only one he could talk to. In the struggle, the old man loses the harpoon and lengths of valuable rope, which leaves him vulnerable to other shark attacks. We're going to examine how Hemingway uses this seemingly simplistic plot to convey two important themes: there's dignity in determination and religion can connect people to the cyclical nature of life. The story is about an old fisherman named Santiago who, after 84 days of bad luck, gets into an epic battle with a gigantic marlin and wins, thanks to his incredible determination. Santiago proves his manhood by refusing to be defeated, notwithstanding the incredible odds against him.
He lashes it to his boat, raises the small mast, and sets sail for home. Though he had become a very successful writer, he suffered from alcoholism and depression, was on his fourth marriage, and he hadn't had a major literary work published in ten years before he wrote 'The Old Man and the Sea. He will no longer be the failing fisherman but the victor of his village. As a fisherman who has caught nothing for the last 84 days, Santiago is a man fighting against defeat. Nevertheless, the boy continues to care for the old man upon his return each night. Well, that's what Santiago dreams of again as the book ends.
But this time, he wrote about pity: about something somewhere that made them all: the old man who had to catch the fish and then lose it, the fish that had to be caught and then lost, the sharks which had to rob the old man of his fish; made them all and loved them all and pitied them all. The book's two principal characters, Santiago and Manolin, represent the old and the young, and a beautiful harmony develops between them. This fish is so big that it pulls his boat along. According to Hemingway, It is the inevitability of death and struggle that allow humans to prove their worth. Again, his remembrance of the boy and the baseball matches and his dreaming of the lions playing together in company like young cats all suggested his desire fro human company and group life. Praise God that whatever made and loves and pities Hemingway and me kept him from touching it any further. But, with time, he was happier when he saw a bird, the flying fish, hawks, green turtles, large number of dolphins and then wild ducks flying against the sky.
The fable-like structure of the novel suggests that the story is symbolic, which is why many view The Old Man and the Sea as an allegory. I went out too far. As a fisherman who has caught nothing for the last 84 days, Santiago is a man fighting against defeat. This brief but thought-provoking novel was written in his minimalist style, which meant he was able to convey a great deal while using very few words, focusing on context over lengthy descriptions. He avoids lengthy descriptions and focuses more on context.
Santiago, in turn… Since The Old Man and the Sea is the story of a man's struggle against a marlin, it is tempting to see the novella as depicting man's struggle against nature. Later, when he sees the first shark he lets out a sound that is described as, 'a noise such as a man might make, involuntarily, feeling the nail go through his hands and into the wood. The theme 'religion can connect people to the cyclical nature of life' is shown specifically through Catholicism. Not long after, he sees the glow of Havana's lights, knowing that he's not far from home, he must fight off another shark with his club. Life is a struggle against these difficulties to finish them. It is a story that demands to be read in a single sitting. Thankfully, Santiago wins the man vs.
But now he faces an even bigger challenge: getting the marlin back to shore. The novel suggests that it is possible to transcend this natural law. The Old Man and the Sea made Hemingway a celebrity. It swims steadily northwest until at last it tires and swims east with the current. The 84-day fishless streak attests to it. It is precisely through the effort to battle the inevitable that a man can prove himself.
Little does Santiago know that he has to work with his hand in the near future. He did not become hopeless, but started in his boat happily and hopefully to catch a big fish. He symbolizes the indomitable will of the human spirit. A concerned Manolin is relieved to find Santiago alive, and the two agree to go fishing together. Endurance becomes a way we connect the old man and the fish he fights, as they share a determination that, in its magnitude, separates them from other people and creatures. Not to be confused with a swordfish, Atlantic Blue Marlin are large billfish that live in.
Knowing that his powers were limited against the unlimited number and strength of the sharks, he did the best of which he was capable. Santiago suffers at sea for three days with painful injuries to the palms of his hands and his back. Santiago is a mentor to the boy, who cherishes the old man and the life lessons he imparts. The novel, in this regard, is an example of. Santiago's success with the marlin gives him hope for his future. The film uses 29,000 images that he and his son, Dimitri, painted on glass over two years. The routines of life in a Cuban fishing village are evoked in the opening pages with a characteristic economy of language.