She asks why he didn't come to her for the money, that she would gladly have given it to him because she loves him so much. In frustration, Leona hangs up but continues to worry about the unfortunate woman who is set to die. While costume aligns Leona with Mrs Van Hopper it also separates her from the second Mrs de Winter and in Sorry, Wrong Number from Sally. He apologizes for dialing a wrong number and hangs up. Though I expected the ending, it stunned me all the same.
Assuming that someone must have dialed the wrong number, Katie forgets about the call. Their client wants them to make it look like a robbery and he doesn't want the woman to suffer. It's a short suspenseful play that left me with an eerie feeling. When read in this light, the play is one about the limitations of technology. After trying to call her husband on the phone, she is accidentally connected to a conversation in which she overhears two men plotting a murder. The centrality of telephones to the narrative prompted comment as to its use as a device in the film as well as its wider significance. Stevenson's annoying and over-the-top frantic reactions repel the audience, causing them to dismiss her fear as groundless paranoia.
Someone breaks into the house and Leona hears him. Finally, Sorry, Wrong Number is an example of the horror genre, which elicits strong feelings of fear and dread. Leona married Henry and dominated him since. Stevenson leave a reader wondering what this story could be with some more movin This is a perfect example of the volatile nature of drama. The couple of Sorry, Wrong Number can be contrasted to Rebecca.
His office number is busy. Stevenson becomes certain that she's the target of the murder; after all, she lives near a train that crosses a bridge, and when she hears that her husband has left town on business, she knows that she will be at home alone at the designated time for the attack. No names are mentioned, but the intended victim is apparently a woman who is supposed to be home alone, in a house near a train bridge, on a street where the patrolman steps into the diner for a cup of coffee at just past 11:00 each night. Katie receives a second phone call. Leona frequently uses her phone to call family or friends to pass the time by but one phone call will be one that she will never forget.
Leona tries to find the right number to tell the police and she discovers that her former friend and ex-girlfriend of Henry, Sally Hunt Lord, had lunch with him. Leona insists she's an invalid. Evans reveals that he knows all about her, having been a Cotterell employee for many years. This review has been hidden because it contains spoilers. Leona insists she's ill and cannot do that.
Morano blackmailed Henry, who planned to get the required money by killing Leona for her insurance money. Cotterell, disapproved because Henry was a poor high-school dropout, but one of Leona's mysterious illness attacks changed his mind. The officer who takes Leona's call doesn't believe her. Henry won't need to raise the money since Morano has been arrested by the police. A police officer on the phone mirrors these doubts, explaining that the street name she overheard - 2nd Avenue - probably appears in towns all over the country. One night, whilst waiting for her husband to return home, she picks up the phone and accidentally overhears a conversation between two men planning a murder.
To view it, This is horror done right. In looking through the telephone messages that came in earlier that day, Leona finds one from the mysterious Mrs. In a flashback, Sally recounts how she tailed Fred, Joe and another man named to a run-down house at 20 Dunstan Terrace where they met another man,. The operator explains that only the police can push through a request like that, and so begins 20 minutes of calls to the police, telephone operators, and even to the phone company's Chief Operator as Mrs. Stevenson manages to be a fragile, terrified woman except when she is being haughty with those she seeks help from. He can't, although he tells her that the results of a recent examination were very good. In flashbacks, it is revealed that Leona is the spoiled only child of J.
The murder must be disguised at a robbery. If anything, this story will probably drive the reader insane. The title is a on the title of the radio play and film. She is the woman who is to be killed that night. Waldo Evans calls her with a message for Henry. Fletcher creates a character that repulses the audience, but she also draws some sympathy because of her helplessness. Stevenson believes the clues like the nearby train on a bridge and a woman left alone at night point to her, it is difficult for the listener to take this seriously.
Horrified by what she hears, Mrs. She begins to realize that the phone conversation she overheard was about her. Following protocol, the operators and police alike, listen to her without attempts to investigate her claims. Stevenson has been isolated due to her nervous condition, and the telephone promises a connection with the outside world; but instead of providing her with comfort and security, it only leads to frustration. Stevenson, alongside the voices of Pamela Dunlap, Sam McMurray, Andre Sogliuzzo, Kate Steele and Sarah Zimmerman. This is explicitly commented on when Henry wrongly reassures a frightened Leona that she is the middle of New York with a phone by her bed and therefore not in any danger.
In a mass of tension, the rest of the film has her trying to convince police and her husband that she isn't crazy, and with no proof and little way of finding them, she becomes their next intended victim. This could be a good if a bit stagey. In a flashback, Sally recounts how she tailed Fred, Joe and another man named Harpootlian to a run-down house at 20 Dunstan Terrace where they met another man, Waldo Evans. Henry avoided disagreeing with Leona to minimise her attacks. In telephoning Henry's office again, Leona is accidentally connected to a conversation in which two men are talking. Just before she is connected to the police, Mrs. By the end, her worst paranoid fantasies come true.