If it be true that good wine needs no bush, 'tis true that a good play needs no epilogue; yet to good wine they do use good bushes, and good plays prove the better by the help of good epilogues. She and her cousin question why women can't be both honest and beautiful, and Rosalind even gives the closing monologue, which is almost always given by a man. In this analysis I will focus on my opinion of the acting, design, and directing of the production. Without being at all unnatural, he has an amazing fund of peculiarity. His sensuous sketches as well as his serious efforts on behalf of the experience have won Ezekiel numerous appeals for both his young adult and adult writing.
This introductory sentence let us know, that they both are related to each other, that they are in fact cousins, and that Rosalind is sad for some reasons, which are specified later in the text. In this sense Rosalind is like Puck in A Midsummer Night's Dream. Man's tyranny has indeed driven them into banishment; but their virtues are much more the growth of the place they are banished from than of the place they are banished to. But Rosalind's patience is not without limits. Phoebe falls in love with Rosalind in spite of her harsh words.
This would be great, except there's a strange tension in his courting, mostly because he thinks she's a man. Such a state of affairs is entirely natural in a romantic play, and Rosalind's final reunion with her father, Duke Senior, is as affectionate as could be wished V. Dennis Servant to Oliver de Boys. In the forest, she is wooed by Orlando, who is unaware that she is, in reality, his beloved Rosalind. If you analyse a character in a work of fiction, generally you are trying to determine why that character acts the way he or she acts; what is his or her motivation, history, … psychology, abilities, special attributes of whatever sort.
Charles demonstrates both his caring nature and his political savvy when he asks Oliver to intercede in his upcoming fight with Orlando: he does not want to injure the young man and thereby lose favor among the nobles who support him. It only takes him a few moments to fall in love with Rosalind. This excess of emotion is what Rosalind, now in the form of Ganymede, is going to try and stop. And Celia replies, He'll go along o'er the wide world with me: Leave me alone to woo him. Rosalind falls in love with Orlando at first sight. While the dancing fools are making a happy spectacle, Jaques's departure is a little reminder that there's more than one way to skin a cat—or end a play.
This drive to prove himself reveals the chaos in the social system: as a nobleman, he should be able to fall on his title for definition. You want to determine what kind of person or being this character is. So fully realized is she in the complexity of her emotions, the subtlety of her thought, and the fullness of her character that no one else in the play matches up to her. For wit, this strange, lovely being is fully equal to Beatrice, yet nowise resembling her. Rosalind's exceptional mental gifts are most strikingly demonstrated during the bright flow of her conversation. However, there is an argument for the opposite; that the forest is exactly the same as the court and no significant change occurs.
Favored with youth, beauty, intelligence, wit, and depth of feeling, Rosalind is one of Shakespeare's most appealing creations. She is able to understand the limits of a particular character and choose the correct role for an occasion, as well as play them detached from her other parts and even from her reality. Silvius agrees to help her. Rosalind tells Orlando that a man has been going around the forest ruining the trees by carving the name Rosalind on the them. Celia is neither as smart nor as witty as Rosalind, but she is kind and loyal and willing to go along with Rosalind's scheme to sneak out of court and join Duke Senior in the Forest of Arden, where he holds court since he has been banished by his brother, Celia's father. Celia goes to the forest disguised as Aliena. Phoebe a shepherdess, she scorns Silvius and falls in love with Ganymede.
The second part will deal with Rosalind herself. Rosalind is one of Shakespeare's most recognized heroines. He informs her that she can watch the two lovers together if she comes with him. An aspect of role-playing that the character, and therefore the actor of Rosalind must take into consideration is the two worlds within the play. Touchstone Touchstone, though he nowhere strikes so deep a chord within us as the poor Fool in King Lear, is, I think, the most entertaining of Shakespeare's privileged characters. This play repeatedly portrays children rebelling against their parents to underscore a larger theme of social upheaval on a political scale. Orlando Orlando has no special occasion for heroism, yet we feel that there is plenty of heroic stuff in him.
Professed clown though he be, and as such ever hammering away with artful awkwardness at a jest, a strange kind of humorous respect still waits upon him notwithstanding. Le Beau a courtier attending on Duke Frederick. Sir Oliver Martext This vicar is not too knowledgeable; he almost joins Touchstone and Audrey in wedlock, but Touchstone is dissuaded at the last moment by Jaques. Tears are a great luxury to him: he sips the cup of woe with all the gust of an epicure. She is a poor victim of dark fatality as represented by the unrelenting sea.
If, with this feet in view, our honest esteem does not go out towards him, then we, I think, are fools in a worse sense than he is. However, before the wedding takes place Jaques asks Touchstone whether an educated man such as himself really wants to be married in the middle of nowhere. Always take into consideration that when drafting a character analysis, there are several types of characters involved in one single story. It is something that can be given and taken away. When Duke Frederick employs Oliver to find his missing brother, Oliver finds himself living in despair in the Forest of Ardenne, where Orlando saves his life. Bartley rides the red mare , while Michael's grey pony follows him.